Toxic III 1.4
Toxic III was developed as a combined synthesis engine, mixing the best of FM and Subtractive synthesis.
|
99.00 
Shareware
0K
Windows Vista 
Toxic III was developed as a combined synthesis engine, mixing the best of FM and Subtractive synthesis. With the addition of a warm, analog-modeled filter and set of built-in effects, the Toxic concept remains one of convenience, simplicity, and superb sound quality.
Toxic III features
One of the ‘warmest’, crisp, and clear Frequency Modulation engines in the world, owes its sound to the precise calculation of the digital signal. Due to high-resolution DSP processing, it produces sound with an extremely low noise threshold; something that most FM engines cannot offer. The Toxic III sound was built from the ground up, via our own unique mathematical calculations and analog-modeling techniques.
Completely alias-free, and well tuned for all sampling rates, they produce a rich, "fat" sound all across the spectrum. Due to the high quality of the anti-aliasing process, users will not encounter the shredding noise on high frequencies that has plagued FM synthesis in the past. Furthermore, the oscillators are calculated at extremely high speeds, keeping your CPU usage to a minimum. Toxic III’s low CPU consumption affords the user plenty of room for external processing and running multiple instances. The oscillators also come equipped with Maxx Claster’s own powerful spectrum analysis technology. This allows the user to create his or her own waveforms, via the simple process of loading a WAV or AIFF format sound file. All of these features make the oscillators very flexible, and allow for the use of both synthetic and acoustic waveforms within Toxic III. Each oscillator also comes with 32 built in ‘classic’ waveforms, each shown to be the most useful in FM synthesis.
Made to assure high quality and flexibility is built into the synthesizer its self, Toxic III aims to reduce the need for external processing altogether! The effect modules are designed to give the user access to several types of effects, from aggressive, tube-like distortion, to warm stereo delay, reverb, flanger, and phaser effects. With our own pro-quality tape delay emulation, based on non-fixed delay buffer sizes, instead of the usual methods incorporated within digital delays, our delay lines give you warm sound, with ”true“ feedback and modulation. Lastly, the signal chain features an analog-modeled, parametric equalizer to further shape your sound. The EQ provides access to crisp, clear high-end definition, creamy mid ranges and earth-shaking low-end frequencies. The Toxic III effect modules expands its palette of sound to include everything from dark, atmospheric textures to razor sharp leads, fit to slice easily through any mix.
Maxx Claster's own analog-modeled, multimode filter is reminiscent of a certain silver box of old. Garnishing a warm, resonant Low-Pass mode, a smooth Band-Pass setting, and a creamy High-Pass mode, Toxic III gives a wealth of control over tone. The filter is further enhanced by modulation via a dedicated envelope generator and low frequency oscillator, as well as responding to velocity information and keyboard tracking. These features allow for extreme sound shaping, as well as subtle nuances attributed to dynamic playing.
Powerful, yet simple, the sequencer offers a total of 64 steps, which can be divided into two independent, 32 step modules to allow double-polyphonic patterns. Using our own "Smart Sequencer" technology, when a chord is played, the module defines that chord, and tunes the pattern accordingly. The sequencer also allows for pure playback of the programmed sequence from single notes. Simply holding one chord can virtually create an arrangement for you!
Requirements
tags
toxic iii the oscillators the sequencer our own the user analog modeled the toxic effect modules the filter pass mode allow for these features high quality
Download Toxic III 1.4
Purchase: 
Buy Toxic III 1.4
Similar software
Toxic III 1.4
Image Line Software BVBA
Toxic III was developed as a combined synthesis engine, mixing the best of FM and Subtractive synthesis.
PoiZone 1.0
Image Line Software BVBA
PoiZone is a subtractive software synthesizer designed to bring you professional quality results, without a learning curve that hinders your creativity.
Mopis 1.2.2
Nethernet Corp
Mopis is a high-quality software synthesizer that combines traditional subtractive synthesis with new technology we call reconstructive synthesis.
SynthMaster Free 1.0.1.45
KV331 Audio
SynthMaster is a free semi-modular software synthesizer and multi-effects plug-in which combines many different synthesis methods such as additive synthesis, subtractive synthesis, ring modulation, amplitude modulation, frequency / phase modulation, pulse width modulation, osc sync and waveshaping.
Orion Platinum 6.2
Sonic Syndicate
Orion Platinum is a complete virtual studio, including multitrack audio recording, a mixing desk with sub busses and effect returns, as well as powerful sequencers, generators and effects.
Rainbow 5.12
Big Tick
Thanks to an original mixture of FM, AM, additive and substractive synthesis, Rainbow is able to produce a wide assortment of sounds, from analog emulations or synthesized drums to 80's electric pianos or synth basses.
FabFilter One 3.04
FabFilter
FabFilter One is a very powerful synthesizer plug-in for Windows with the best possible sound and filter quality.
FM7 1.0
Native Instruments
The FM7 takes the legendary sound of FM synthesis to a new level.
Adventus 1.0
Softplug.com
Adventus is agreat tool if you are looking for great leads, pads, strings, basses, organs and pianos, whether for live performance work or sequencing
Here are some key features of "Adventus VST VSTI":
· 6 oscillators, each with the "fat" option.
ABSYNTH 3.0.1
Native Instruments
ABSYNTH 3 is a semi-modular synthesizer with multiple synthesis techniques, sophisticated surround sound features, live input, extremely high-performance envelope control and breathtaking sound spectrum.
RSS